{"id":12259,"date":"2013-03-30T23:00:13","date_gmt":"2013-03-31T04:00:13","guid":{"rendered":"http:\/\/www.projectharuhi.net\/?p=12259"},"modified":"2013-03-30T23:00:13","modified_gmt":"2013-03-31T04:00:13","slug":"bakacast-we-recorded-this-in-a-yellow-submarine","status":"publish","type":"post","link":"https:\/\/www.projectharuhi.net\/?p=12259","title":{"rendered":"Bakacast – We Recorded This in a Yellow Submarine"},"content":{"rendered":"

\"bakasubmarine\"<\/a><\/p>\n

iTunes<\/a><\/strong> <\/a>| Direct Download<\/a> | <\/strong>RSS<\/a><\/strong><\/p>\n

I apologize for the audio quality in this episode. The wiring in my headset was starting to cleave, so I decided to use a backup headset rather than fuss with getting the normal one into just the right position to work properly. Meanwhile, Scamp’s internet connection was a bit strained. Unfortunately, there wasn’t much I could do during the editing process to ameliorate either of those problems.<\/p>\n

In this episode of Bakacast, the gang and I have extended discussions about why, exactly, the endings of Psycho-Pass and Shin Sekai Yori and good and actually pretty satisfying. We also talk about why the ending to Robotics;Notes is neither of those things. Other topics include: tank battles and tonal whiplash.<\/p>\n

Please email listener questions to bakacast[at]projectharuhi.net or leave them in the comments below.<\/p>\n

Time Index<\/strong><\/p>\n